Life
Born in Neukirchen, Ostholstein, Flor came from a family of pastors spread throughout Schleswig-Holstein and was born as the son of the pastor Otto Flor and his wife Catharina. He probably received his musical education in Hamburg and Lübeck, studying with Heinrich Scheidemann and Franz Tunder. From 1652 he was organist at in Rendsburg. In 1653 he married Margarethe Hudemann, the widow of his predecessor. Their daughter Catharina was baptised in Rendsburg on 24 October 1653. At the latest in 1654, he became organist at in Lüneburg. After the death of his first wife he married Anna Dorothea Lange (1641–1685). From 1676 until his death, he was (as a predecessor of Georg Böhm) also organist at St. Johannis, the major church in Lüneburg. Flor was widely known as an organist and organ expert. He contributed significantly to Lüneburg becoming one of the most important North German music centres of the time. Like their father, his son Johann Georg (1679–1728) worked as organist at St. Lamberti in Lüneburg, and his son Gottfried Philipp (1682–1723) from 1707 was organist at St. Michaelis, Lüneburg. Flor composed a ''St. Matthew Passion'' in 1667, which is one of the first passion oratorios in music history. He included chorales in the Passion. In addition to his few surviving organ works and independent harpsichord compositions, Flor also created several collections of occasional music and liturgical vocal works. Flor died in Neukirchen near Eutin.Legacy
Johann Sebastian Bach probably became acquainted with compositions by Flor during his stay as a student in Lüneburg and may have been influenced by them. According to other sources, Bach is said to have known Flor personally and to have appreciated his compositions. His reputation is also supported by the fact that both Johann Gottfried Walther (1732) and Johann Mattheson wrote about him in their music encyclopaedias. The latter described him in his 1740 ''Grundlage einer Ehrenpforte'' as "berühmten Lüneburgischen Organisten" (famous Lüneburg organist).Work
Flor's works include: * Passion oratorio, 1667 * ''Es ist gnug, Herr'', kleines geistliches Konzert, Verlag C. Hofius Ammerbuch, 2007 * ''Machet die Tore weit'', cantata ( SATB, strings and b.c.), Edition Baroque Bremen * ''Pastores currite in Bethlehem'', cantata, Edition Baroque Bremen * ''Es segne dich der Gott Israels'', cantata, Edition Baroque Bremen * Harpsichord works (could only be assigned to Flor in 1997), including ** ''Wie schön leuchtet der Morgenstern''Recordings
* Nicolaus Bruhns: ''Complete Organ Works'', including Christian Flor: Chorale preludes, Sven-Ingvart Mikkelsen at the Havgaard Rasmussen Organs in Eckernförde and Husum (Kontrapunkt 32198) * G. A. Pandolfi Mealli: Violin Sonatas (1660) and Harpsichord Suites by Christian Flor, with Andrew Manze (violin) (CCS 5894) * ''Dansk Orgelmusik i 400 år'', including chorale prelude on " Ein feste Burg ist unser Gott" and Suite in D, Mikkelsen, 3-CD-CLASSCD528-30 * ''Organ Landscape: Holstein-Lübeck'', including Flor's "Ein feste Burg", Wolfgang Baumgratz (organ), MDG – 319 0962(CD) * ''Musicalische Frühlings-Früchte'' by anonymus, Dietrich Becker, Christian Flor (harpsichord suites, ''Hochzeitlicher Freuden-Klang'') – Musica Poetica, Jörn Boysen ( Challenge Classics)References
Further reading
* Peter Epstein: ''Ein unbekanntes Passionsoratorium von Christian Flor (1667).'' In ''Bach-Jahrbuch.'' 27, 1930, . * Joachim Kremer, Friedrich Jekutsch, Arndt Schnoor (ed.): ''Christian Flor (1626–1697) – Johann Abraham Peter Schulz (1747–1800). Texte und Dokumente zur Musikgeschichte Lüneburgs.'' (''Veröffentlichungen der Ratsbücherei Lüneburg'', vol. 6; ''Musik der frühen Neuzeit'', vol. 2). Von Bockel, Hamburg 1997, , including, among others: ** Friedrich Jekutsch: ''Ausstellungskatalog Christian Flor''External links
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